Sunday, December 29, 2019

What Makes A Leader - 981 Words

What It Means to be a Leader Successful collaboration requires strong and reliable leaders to guide individuals through decisions. Anyone can be placed in charge, but there are few people who can govern efficiently. A leader is a person who has been trusted with the responsibility of the group and is looked towards for guidance. A capable supervisor is just as important as a dedicated worker. Certain characteristics are required in order to fulfill the role of a leader. Knowing the characteristics needed in a leader will help people establish better cooperation among the people they work with. An effective leader has integrity, awareness, creativity, confidence, optimism, focus and accountability. The first and most important aspect of†¦show more content†¦Thirdly, creativity is needed to manage a group. It requires a certain amount of divergent and convergent thinking in order to be a leader. Divergent thinking is the act of coming up with multiple solutions to a problem while convergent thinking is carefully determining the single best solution. Both are essential when determining the correct course of action. Being able to determine a solution to problem is what sets leaders apart from followers. Along with having creative decisions, a leader has to have confidence in the decisions they make. They need to be able to decisively make a choice and then follow that choice with conviction. They should never be disinclined to make a decision. Also a leader has to have confidence in the actions of their group. He or she should trust that the jobs assigned will be handled in a timely manner. During stressful moments a leader remains placid so that others will stay calm. Furthermore, a leader needs to be able to inspire confidence in the people they lead. They motivate the people around them by communicating and teaching clearly.They are able to convince their followers that they are worthy to be followed. They set high, but attainable, goals to challenge the team to be great. When times are difficult, they are a source of reassurance and optimism. Additionally, a leader requires a strong focus on their goals.

Saturday, December 21, 2019

The Tragedy Of Othello By William Shakespeare - 1672 Words

William Shakespeare’s play, The Tragedy of Othello: The Moor of Venice presents a man who is undone by his own insecurities, as well as strong female characters who lead to the downfall of the men. The character of Othello allows others to control how he feels and this leads to a tragedy that could have been prevented. The source of this tragedy comes from within himself. His character is completely wrapped up in his wife Desdemona’s character and interestingly enough, as soon as her character starts to decline from the words of Iago, so does Othello’s. Unable to stand on his own, Othello is more concerned with outwardly appearances than Desdemona. He puts more pressure on her, than he does himself in regards to his character and how he†¦show more content†¦He states, â€Å"Yet ’tis the plague to great ones, Prerogatived are they less than the base. Tis destiny unshunnable, like death. Even then this forkà ¨d plague is fated to us when we do qu icken† (3.3.278-82). Othello now has it in his mind that his wife is destined to betray him because he is an important man. He is dramatic and refers to it as the plague of important men. From this portion, from what is often referred to as Iago’s seduction of Othello, Othello’s insecurities are beginning to come out. He has no proof that his wife is cheating on him, but Iago has done a good job at putting the idea in his head. Now Othello is left to let his own insecurities destroy him. This can be seen shortly after in Act 3 Scene 3. Othello has only been alone with his thoughts for a short time when he’s already come to the conclusion that Desdemona is cheating on him and he states, â€Å"The immortal Jove’s dead clamors counterfeit, Farewell! Othello’s occupation’s gone† (3.3.366-7). Suddenly his career is ruined because of the thought that his wife betrayed him. From this it can be seen that Othello’s character is wr apped up in Desdemona’s. Desdemona has such a power over him that he cannot stand on his own. Iago acknowledges this as well when he says, â€Å"His soul is so enfettered to her love, That she may make, unmake, do what she list† (2.3.254-5). Desdemona can control how Othello feels. She hasn’t even done

Friday, December 13, 2019

Masque Of The Red Death English Literature Essay Free Essays

Death is Inevitable: How â€Å" The Masque of the Red Death † Illustrates the Inevitability of Death. â€Å" The Masque of the Red Death, † written by Edgar Allan Poe in 1845, displays a certain subject about the irrevocability of decease. The narrative follows Prince Prospero as he tries to utilize his wealth and power to evade a deathly pestilence by concealing off in an abbey with a 1000 other invitees ; nevertheless, Death is the vanquisher of this narrative as the narrative concludes with the decease of Prince Prospero and all of the invitees. We will write a custom essay sample on Masque Of The Red Death English Literature Essay or any similar topic only for you Order Now In â€Å" The Masque of the Red Death, † Poe describes a subject that decease is ineluctable as can be seen in the storyteller, the sarcasm of the secret plan itself, and the huge sum of symbolism in the narrative. The storyteller adds to the subject of the narrative because the storyteller in â€Å" The Masque of the Red Death † is Death itself because of the incompatibilities planted by the writer in individual, tense, and chronology throughout the narrative. The beginning of â€Å" The Masque of the Red Death † is written in 3rd individual ; yet, in three topographic points in the narrative, the narrative is in first-person, proposing that the narrative is really a storyteller, a character in the narrative. The following beginning of grounds is the difference in tense in the narrative. In the narrative, the tense of the narrative displacements from past to show. The significance of the tense displacement suggests non merely that the storyteller was present during the events of the narrative but besides that the storyteller survived the event in order to state the narrative. The 3rd piece of grounds alludes to the thought of Death as the storyteller is in the chronology of the n arrative. The narrative is evidently written during the clip of feudal system and aristocracy ; nevertheless, in the narrative, the storyteller mentions Hernani, a 19th century work by writer Victor Hugo. By utilizing this mention, Poe is stating that the storyteller was non merely present at this event, perchance in the Middle Ages but besides lived through the 19th century. The clip difference placed by Poe spans 100s of old ages, touching to the thought that the storyteller must be person or something that has existed 100s of old ages. Because Poe creates incompatibilities that do non adhere to a individual type of storyteller or narrative, Death itself becomes a really plausible pick for the storyteller. The fact that Death is the storyteller of the narrative merely builds up and intensifies the overall subject of the narrative that decease is ineluctable. Since Death is a plausible the storyteller of the secret plan, the following subscriber to the overall subject of the narrative is the sense of sarcasm found in the secret plan of the narrative. In the narrative, Prospero has a rubric of aristocracy ; nevertheless when word of the Red Death comes, Prospero flees, go forthing the outside universe to â€Å" take attention of itself † ( 231 ) . Prospero is irresponsible in the eyes of the reader, because he does non care about any of the topics underneath him but considers his ain life and the lives of his friends to be indispensable. The sarcasm of the secret plan is seen in the condescension of Prince Prospero because he genuinely believes that his wealth and place in the universe will let to get away decease. The sarcasm of the narrative is rooted in this thought that decease can be cheated because of money and power Throughout the class of the narrative, the Prince holds to this thought that he is above decease ; nevertheless , in the terminal of the narrative, allegorically, Death overcomes. The irresponsibleness of Prospero becomes dry because locking themselves in this monolithic abbey in an effort to get away the disease is what seals their destiny in the terminal of the narrative. The abbey as described by the writer, â€Å" A strong and exalted wall girdled it in. This wall had Gatess of Fe. The courtiers, holding entered, brought furnaces and massy cocks and welded the bolts. They resolved to go forth agencies neither of immersion nor egressaˆÂ ¦ † ( 231 ) . When Death comes for them at the terminal of the narrative, it is by their ain making that they are trapped in this monolithic abbey, their lone pick, to eventually accept the call of Death. While the function of the storyteller and the sarcasm found in the secret plan attention deficit disorder to the subject, the chief subscriber to the subject of â€Å" The Masque of the Red Death † is the multiple histories of symbolism given in the narrative. The symbolism of the narrative is largely seen in two elements of the narrative: the decor of the abbey and the coal black clock. The decor of the abbey is described for the reader in much item, for a ground. The abbey is set up of seven suites from E to West and are arranged in a colour form of blue, purple, green, orange, white, violet, and the last room is black. The different colourss of the suites are symbolic of the human life rhythm. The colourss can be â€Å" read † from east to west because the E is symbolic of get downing while the West is symbolic of stoping, like the rhythm of the Sun. The bluish represents birth, the beginning. The purple can be viewed as development because the beginning ( bluish ) h as been mixed with life ( ruddy ) . The green suggests life every bit good, but more in the sense of growing or young person. The orange represents the extremum of life, when the Sun is at its highest. The white alludes to the thought of aging. Violet is much darker than the other colourss, because it represents the slow decay of life. Finally, the black room represents decease. Throughout the narrative, the invitees ne’er enter into the black room because they fear decease. The symbolism of the colourss of the room is besides found in the flood tide of the narrative. Prince Prospero chases ruddy decease from the bluish room and stoping with his decease in the black room, stand foring the stoping of a life. The invitees all run into the black room to uncloak ruddy decease, and they all die. Besides in the black room, the large coal black clock is found. The large coal black clock is besides a symbol associated with decease. However, the clock does non intend decease straight. The clock represents the thought that even though the invitees are â€Å" rip offing † decease clip still goes on. Time does non halt for the invitees, and the invitees know that they excessively will decease no affair what they do. This idea is represented in the narrative because every clip the coal black clock bells signaling the hr, all the invitees stop their gallivanting and partying and go soundless, as if frozen. The coal black clock is a changeless reminder to the invitees of the Prince that they will non get the better of decease, but merely that their life has one less hr. The symbolism of the coal black clock and the decor of the abbey are a major subscriber to the thought that decease is ineluctable. Edgar Allan Poe uses his command of composing to convey the thought that Death is grim in â€Å" The Masque of the Red Death. † This cardinal overall subject that decease is ineluctable can be seen in the storyteller, Death itself, in the dry nature of the secret plan, and most blatantly in the huge sum of symbolism scattered throughout the narrative. Death is inevitable for everyone: no sum of money or power can change this natural order. Work Cited Poe, Edgar Allan. â€Å" The Masque of the Red Death. † Introduction to Literature. 1st erectile dysfunction. Boston: Pearson, 2011. 231-6. Print. How to cite Masque Of The Red Death English Literature Essay, Essay examples